Interview with DJ: Bonez
by Leigh Neuage LN
This interview took place at an outdoor beer garden in North
Adelaide. At times it was difficult to
keep the people I was speaking with on topic. They had a show to do in a few hours, and we were eating
pizza. The first person I spoke with,
DJ Bonez, got up often - he seemed nervous, and he went to the toilet a lot. He would talk with some people then come
back and sit at our table. A lot of the
time was spent listening to tracks on his two new CDŐs. We spent from 5.30 until 8 there - then we
went to the Tivoli Hotel where DJ and his crew checked the sound system. During breaks we talked some more. By 9.30 the hotel was packed and it was very loud. I wasnŐt able to talk to DJ or
˙ any of the people with him after their gig.
During our interview he seemed to lose focus a lot and he
would forget the questions and it made it very difficult to get answers to my
questions.
Even more difficult was that I had to write everything
down. He said I couldnŐt tape record
anything.
LN: DJ you are in
Adelaide to launch two CDŐs. Usually
someone goes for one at a time. Why
two?
DJ: Well, what was your name again?
LN: Leigh!
DJ: Yeah, Leigh, well ya see I cut two CdŐs and my people
wanted both to come out together.
ThatŐs why.
LN: Kool. Oh thanks for sending me copies of both CDŐs
- it would have been difficult to ask questions about your work if I hadnŐt
heard them. Gotta say, I thought both ÔBonez and Espas LabŐ and ÔHands on
DeckŐ were really good. LetŐs go with
one CD at a a time.
DJ: yah man, what ever - I will be back.
(D.J was gone for
about ten minutes)
LN: first with the espas lab CD. Who is Espas Lab.
óDJ: Oh well theyŐre kool man - like Espas Lab is the name of
the studio I recorded Bonez and Espas Lab at - Espas Lab are the crew too. Both the place and the crew - so it made
sense to say I did the CD with them.
LN: That makes sense. How long did it take to record?
DJ: ThatŐs a
difficult question. We taped some one
night and another section we took the whole weekend, then there was a lot of
time spent mixing and finding cuts to mix and then mixing them and then some of
the crew had some other new stuff we picked up whilst in Texas last month and
so we decided to add that and then we mixed that with some stuff I had from two
years ago.
LN: Texas? How did they like Australian DJing?
DJ:: Yea well they
got into it. We was at some University
in Austin I think it was...
LN: That is the
University of Texas - I was in Austin with my dad and brother a few years ago
and...
DJ: Well good for
you - listen I have to go talk with someone I will be back
(another ten minute
break - this ti [1]lme I began to talk with
some of the Espas Lab people - that is in a different interview)
LN: Back to your
Texas gigs. Did you record there?
DJ: WhatŐs your name again?
LN: Leigh
DJ:: Oh, I thought it was something else. ArenŐt you goinŐ have a beer or something.
LN: Can we get back to the album?
DJ: Course - what was it you was asking?
LN: you were telling me how long to record the Espas lab,
and about your gigs in Texas.
DJ: Two different questions there. Are you a journalist? I
forgot what these questions were for
LN: No I am not a journalist. I am doing a year twelve project and I am doing a stu
dy of hip hop.
(at this point DJ
and his crew started laughing, DJ almost fell off of his chair - he thought it
was hysterical being interview by me for a school project)
DJ: Sorry man,
didnŐt get me wrong - I didnŐt do high school, learned how to rhyme in primary
school - that is all I need to know to do.
And it is so funny you writing everything I say so fast - you should
have brought a tape recorder
LN: Your manager said no taping was aloud.
DJ: Oh right - someone is trying to sue me for something
they said I said and they have it on tape - this way I can just say I never
said something. I canŐt believe kids
are studying rap in school.
LN: Well my father did an honorŐs degree on it and
DJ: WHAT? Man I got
to go underground - how come everything everyone does has to be studied,
disceted pulled apart? Well I just want
to be. Just do my DJing, it is what I
ma about. Me and my DJing. Its kool - people say we got it all
happening. In Texas - they want us to
come back. Cost a lot to do a tour
lik
e that - and there is
so much competition
LN: There still isnŐt much Australian rap. We keep hearing gansta rap and all those
groups from the States: Ras Kass, Jay-Z, Outkast, Bizzy Bone, Tupac, MC Lyte
DJ: we busted with
MC Lyte - and he is lite stuff - nothing heavy
- he mixes like a beginner - and Tupac well heŐs dead let him stay that
way
LN: You have a lot of support acts with you: Hilltop Hoods -
theyŐre from Adelaide, and so are Cross Bred Mongrels and After Hours..
DJ: Hilltop - theyŐre kool, that dude over there is their
lead rapper - heŐs kool, got the rhymin thing happening havenŐt hear Cross Bred
or Afterhours, theyŐll come on afer I ainŐt standing no more - weŐre goiŐ do
some stuff together I think - hey I thought you was goin talk about my new CDŐs
LN: We got off the subject - on Espas Lab - do you have any
favorite cuts?
DJ: I spent a lot of time on ÔKillinŐ Ôem in da woodsŐ it is
kind of personal and all. I mixed that
with some James Brown, Jim Morrison, Elvis, even Sanatra - the con
cept was just taking
cuts from dead peopleŐs stuff, was goinŐ to Add a few riffs from LennonŐs Imagin
but ...
LN: James Brown isnŐt dead.
DJ: Really. Shit -
there goes my whole thing I was doing - are you sure? Next youŐll be telling me he is still singing ŇPappaŐs got a
brand new bagÓ Well I thought he was dead and it is the thought that counts.
(at this point DJ goes away for awhile and I talk with his
crew - that is on the other interview - when he comes back we listen to his mix
- ÔKillinŐ Ôem in da woodsŐ he plays the ten minute track three times)
LN: The more I hear that the more I like it - it is the mix
of James Brown and MorrisonŐs poetry that goes so well. I went to MorrisonŐs grave - it is in Paris,
we were
DJ: See I told you
he was dead
LN: No it was James
Brown I said was still alive
DJ: Oh well doesnŐt matter - it is the concept isnŐt it?
LN: On your other
new CD - ÔHands on DeckŐ did you cut that before or after the Bonez and Espas
Lab CD.
DJ: That was the
first of the two CD
ás and I got to say that was something to do. Did you know I did two cuts with Rah Digga
(Rah Digga is a female MC from New Jersey in the States)? We MCŐd with her in Texas. SheŐs got it happening.
LN: I like her stuff - she is in two groups isnŐt she? I got all six of her CDŐs unless she has
done more.
DJ: You are into hip
hop arenŐt you? Yeah she records with
ÔBusta RhymesŐ imperial Flipmode SquadŐ and ÔOutsidazŐ. She was with ÔBusta RhymesŐ imperial
Flipmode SquadŐ in texas. TheyŐre about
the best crew IŐve ever heard - well next to Espas Lab of course. I did a few
lyrics with her on BustaŐs When Disaster Strikes and E.L.E.: The Final World Front.
LN: WhatŐs the difference between recoring with Rah Digga
and Espa Lab?
DJ: Well sheŐs got the looks doesnŐt she? But that is sexist - she can rhyme so
good. Rah Digga enhanced my live performances
when we were doing Texas, whilst Espa Lab, the dogs, that is straight lyrical
shit
LN: What do you think of so many pe ‡opole getting into rap now? Is it good or does it dilute the culture.
DJ: I grew up in Redfern - this ainŐt no Hollywood. This ainŐt no gimmick. This ainŐt no phony fairy tale. I mean we ainŐt like the Yanks - going
around calling themself real street-gang niggas and all. I mean we are Australians - but we have the
same concerns - the pigs, society, money,
listen man I gotta go